Cut & Crop b/w Playing Us Like Chess
Release status: A-side available on iTunes, B-side on Bandcamp, both on CD
Overall feelings: Positive
My Everest took nearly a year to record anything following
up their debut EP, but as they’re juggling the band with their college and
university careers, I think it’s acceptable. Anyway, I’d much rather a band
took long breaks between high quality releases than came out with rushed,
mediocre material every couple of months, and judging by this single, My
Everest fall firmly into the first category: it’s as least as good as anything
on ‘Filthy Little Secrets’.
The A-side, ‘Cut & Crop’, is set apart from their
earlier songs by its more mature feel and its crossing of genre boundaries. The
songs on the first EP conformed to all expectations of the poppier side of pop
punk, but here a more rocking influence is felt, with the guitars stepping up
to duel with the vocals rather than being content to take a back seat. It doesn’t
ever lose its sense of fun, though, or its target audience – lines like ‘My
treatment for you is double denim’ are sure to bring a smile to any teenage
girl’s face, and I defy anyone to not nod their head to the chorus. There’s
possibly a little too much treatment on the vocals but otherwise the production
is excellent; the rhymes in the bridge are clever; and I love all the fake-out
endings that appear towards the end of the song.
‘Playing Us Like Chess’ is the B-side, and musically it’s a
little less interesting (except for the great guitar solo part that plays
between the second and third verses) but lyrically I prefer it, and if you’re someone
who likes their songs to have a good story behind them, then this is definitely
what I’d recommend. This tale of the rise and fall of a girl who treats her
friends as disposable is brought to life with lines like ‘I’ll buy her a one
way ticket out of this town’, and it sort of reminds me of an angry Taylor
Swift on speed. The full-bodied sound and high-energy performance from all
members mean this could easily be a double A-side, since although ‘Cut &
Crop’ probably wins it overall for its more unique feel, I do flip-flop on
which song I prefer.
If a band can go from ‘Obsession’ to ‘Cut & Crop’ in a
year, all while making regular detours into the world of catchy, danceable pop,
then they’re definitely worth paying attention to. If the trend continues, then
whatever they come up with next is sure to completely blow me away… but I’ll
wait patiently.
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