Taylor Swift
Best song: Tim McGraw
Worst song: Stay
Beautiful
Overall grade: 4
The first time I listed
to Taylor Swift was when this was the only album she’d released. A friend of
mine posted the lyrics to ‘Mary’s Song’ in a forum signature on the Internet,
and considering I was something of a hopeless romantic at the time, I fell in
love with it before I’d even heard her sing it. I wanted a relationship like
that. So I listened to it, and I listened over and over again, and then I
started listening to all her other songs (the rest of this album, as well as a
whole bunch of unreleased songs that you can find on YouTube). Taylor Swift
just ‘got’ me, so I played them all out until I was sick of them, and then she
announced her second album! It was an incredible moment for a 12-year-old.
As time went on and I
started to listen to older and more obscure music, most popular or mainstream
artists that I’d previously liked started to seem insignificant in comparison
to what Roger Waters was singing about on ‘Comfortably Numb’, and steadily I
stopped listening to them. But strangely enough, that’s never happened with
Taylor Swift. I’ve gone on to buy her third and fourth albums and consider her
to be consistently above the quality of most of what my housemates play, and I
think her being lumped in with other ‘MTV artists’ of today is quite unfair.
Now, among those who do
like Swift, this album is generally either their favourite or least favourite,
and for the same reason whichever it is – it’s a full blown country album. (One
of only two that I own. I don’t consider country to be a favourite genre of
mine, though I have nothing against it either and enjoy the occasional song –
see ‘I’m Gonna Hire A Wino To Decorate Our Home’. Or maybe I just find that
song hilarious. Whichever.) Either they have the opinion that she was never as
good once she started incorporating pop influences, or that she didn’t become
as good until she had those pop
influences.
I’d call it the worst,
not because of the country, since the fairly simple, acoustic style worked well
for her at a time when she had less songwriting experience, but because the
record as a whole lacks diversity (the production is incredibly similar on all
the songs and Swift’s voice sounds identical throughout), continuity (a lot of
the songs sound awkward next to one another and are better appreciated when
played individually), and lacks anything spectacular (songs are fairly good
throughout, but a serious listener would be unlikely to call them superb). I
guess it’s also been hurt by my overplaying it, as many of the songs don’t hold
up so well to long term listening – they’re good on the surface only.
But I have a lot of
respect for the fact that, even at age 16, she has a solo or co-writing credit
on all of her songs. Most of the songs are about love, something she often gets
criticised for, but they show a lot of different perspectives on the subject –
so for each one that’s a little stupid, like the childish reasons for infatuation
on ‘Stay Beautiful’, there’s always a ‘Tim McGraw’ that has a much more mature
outlook, in this case the bittersweet memory of a summer romance that had to
end. And there’s several examples of songs that relate to different subject
matter – see ‘A Place in this World’, ‘The Outside’ and ‘Tied Together With A
Smile’.
It’s hardly a massive
statement of a debut, but the talent’s definitely here.
You should post a philosophical justification for true belief in Taylor Swift. That one could go on for weeks.
ReplyDeleteOn the FB Only Solitaire group, I mean.
ReplyDeleteHaha! It'd certainly be interesting, but I'd be the only one arguing for my side, so maybe I should wait for a week or so until I'm fully around again...
ReplyDelete